This collection comprises the analytical premise of human behaviour, which is the main focus of the author. This time, the work is placed in the context of the materials coming from nature. There is an overlap implied that led to the search for natural materials such as stones, bones or ceramic from different centuries. There is also work with other materials, like glazed ceramics, to express nature in movement and its forms. The human figure appears later, building a figure-background world, as a piece in the natural space in which the idea of the work is explained. The lack of proportion in the figures comes from the real concept of the size of the natural world as compared to the, also real, size and time of human beings on Earth. As usual in the author’s works, a sense of humour is present in this collection. The mixture of materials, the meaning they have and the usage or bad usage we give them, sometimes make us wonder about how we are or how we behave in natural spaces with a functioning of their own, far from the consequences of human intervention. Therefore, there is also a mixture of our loftiness and nature’s loftiness.